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The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U).
When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.
StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.
With StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.
Don’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to six FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 6 FlexMixes are in addition to the 2 internal effects sends and the stereo main bus, giving you a total of 10 mix buses, not counting the solo buses. We also provided eight Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.
PreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.
Networking isn’t the future of professional audio systems; it’s here now. StudioLive 16R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 32 channels of audio to and from a Mac or Windows PC. You also get 18x18 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix—or any other stereo mix—to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.
Microphone Preamplifier |
|
---|---|
Input Type |
Combo locking XLR mic-¼” TRS line |
Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
Input Impedance |
1 kΩ |
THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
Common Mode Rejection Ratio (1 kHz at unity gain) |
65 dB |
Gain Control Range (±1 dB) |
0 dB to +60 dB |
Maximum Input Level (unity gain) |
+12 dBu |
Phantom Power (±2 VDC) |
48 VDC, switchable per channel |
Unbalanced Inputs (Ch. 15-16) |
|
---|---|
Type |
RCA Female, unbalanced (stereo pair) |
Maximum Input Level |
+12 dBu, ±0.5 dBu |
Main Outputs |
|
---|---|
Type |
XLR Male, balanced |
Maximum Output Level |
+24 dBu, ±0.5 dBu |
Output Impedance |
100Ω |
Mix Outputs |
|
---|---|
Type |
¼” TRS Female, balanced |
Maximum Output Level |
+18 dBu, ±0.5 dBu |
Output Impedance |
100Ω |
Headphone Output |
|
---|---|
Type |
¼” TRS Female, active stereo |
Maximum Output |
100 mW/ch. @ 60Ω load |
Frequency Response |
20 Hz – 20 kHz (± 0.5 dB) |
THD+N |
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
S/N Ratio |
96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
System Crosstalk |
|
---|---|
Input to Output |
-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
Adjacent Channels |
-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
Digital Audio and Control |
|
---|---|
ADC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
DAC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
USB Recording Port |
USB 2.0, Type-B |
Network Control Port |
RJ-45 |
AVB Audio Network Port |
Locking XLR Ethernet |
Internal Processing |
32-bit, floating point |
Sampling Rate |
48 kHz (44.1 kHz coming soon) |
A/D/A Bit Depth |
24 |
Reference Level for 0 dBFS |
+18 dBu |
Total System Latency |
1.9 ms (local routing, analog in-analog out, all processing active) |
Clock |
|
---|---|
Jitter |
<20 ps RMS (20 Hz - 20 kHz) |
Jitter Attenuation |
>60 dB (1 ns in, 1 ps out) |
Power / Environmental |
|
---|---|
Connector |
IEC |
Input-Voltage Range |
90 to 230 VAC (±10%) |
Power Requirements (continuous) |
85W |
Recommended Ambient Operating Temperature |
0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
---|---|
Height |
1.75” (45mm) |
Width |
19” (483mm) |
Depth |
12” (305mm) |
Weight |
8.6 lbs. (3.9 kg) |
Local Inputs and Outputs
Channels and Buses
Networking Connections
Recording
Signal Processing
Scenes and Presets
Digital
Actively Integrated Software
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